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Beyond the Book: Exploring Photography Portfolios with Ted Forbes

Ted Forbes dives into a fascinating submission from photographer Louis Jay, showcasing a portfolio approach that moves beyond the traditional bound book. Discover unique printing techniques and the power of location-driven portraiture.

The Art of PhotographyRogue PhotographersNov 9, 20263 min read0 views

We’ve all seen the beautifully bound photography books – the tangible testament to years of work, a legacy captured between covers. But what happens when the traditional book format feels… limiting? What if you want to explore a project in a way that feels more immediate, more personal, more *present*?

Ted Forbes, in a recent video from The Art of Photography, explores this very question, showcasing a stunning portfolio submitted by viewer LS J. This isn't your typical coffee table book; it’s a collection of meticulously printed images presented in a linen-covered box – a deliberate choice that elevates the viewing experience. It's a reminder that the presentation itself can be as impactful as the images within.

LS J’s project, “Marrakech: Face to Face,” is a prime example of this approach. Shot in 2022, it’s a series of portraits of merchants, street scenes, and details captured in the bustling markets of Marrakech. What truly sets this work apart isn't just the subject matter, but the method. LS J utilizes a unique printing technique called Piezography, a digital printing process that replaces standard color cartridges with black and grayscale inks. This allows for an unprecedented range of tones, rich blacks, and subtle gradations – a significant departure from conventional color printing.

The Power of Piezography

As Forbes explains, Piezography isn't just about achieving a specific aesthetic. It's about unlocking a new level of control and nuance in the printing process. By using two blacks and six shades of gray, LS J crafts prints with an exceptional depth and detail that would be difficult, if not impossible, to achieve with traditional methods. The choice of Italian watercolor paper further enhances the quality and feel of the final product.

Beyond the Exotic Landscape

What resonated most with Forbes, and what we should all take note of, is the intentionality of LS J’s vision. It's easy to fall into the trap of documenting “exotic” locales as a series of postcards. LS J’s work, however, focuses on the people – their faces, their stories, their connection to the place. These are portraits that reveal character and offer a glimpse into a culture, moving beyond superficial observation.

Expanding Your Presentation Horizons

This video isn't just about admiring beautiful prints; it's about challenging our assumptions about how we present our work. Whether you're a wedding photographer, a newborn photographer, or a landscape artist, consider how you can move beyond the traditional book format to create a more impactful and engaging experience for your audience.

Forbes also highlights the importance of supporting fellow photographers. Check out the other artists featured in the video – Jon Davis, Adam Kocka, and Aidan Mobasser – and explore their unique perspectives. And if you're inspired to learn more about Piezography, the links in the description will provide a deeper dive into this fascinating printing process.

Finally, for those dreaming of a photographic adventure, Forbes announced a workshop in Kyoto and Tokyo (December 2-13, 2024) with David Brookover. It promises to be an “unusual” and “incredible” experience – and spaces are filling up fast!

Frequently Asked Questions

Piezography is a digital printing process that uses an Epson printer modified to use black and grayscale inks instead of color cartridges, allowing for a wider range of tones and greater control over print quality.

You can find full details and registration information for the Kyoto and Tokyo workshop on Ted Forbes' website: https://www.tedforbes.com/experiences/p/kyotoandtokyo-photographicjourney

Louis Jay’s project featured in the video is called “Marrakech: Face to Face”.

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