One Lens, Endless Possibilities: Crafting Cinematic Video Poems
Feeling stuck in a filmmaking rut? Joris Hermans demonstrates how to break through with a simple, powerful exercise: the cinematic video poem. All you need is a camera and a single lens.
We get it. Motivation can be a fickle beast, especially when you’re chasing the craft of filmmaking. Sometimes, the idea of a sprawling, complex project feels…daunting. Enter the “cinematic video poem,” a concept invented by filmmaker Joris Hermans (and now, hopefully, adopted by you!). It’s a brilliant way to hone your skills – exposure, composition, movement – without the pressure of a full-blown production. The premise? Let the viewer experience what *you* feel, filtered through the lens. It's about atmosphere, mood, and a connection to the subject, not flashy effects or intricate narratives.
Hermans’s recent video (linked below) beautifully illustrates this approach. He shot the entire piece with a Sony A7S III and a single 35mm lens – a testament to the idea that limitations often spark creativity. He’s not advocating for a stripped-down aesthetic as an end in itself, but rather as a framework for focused practice.
Beyond the Gear List
While Hermans’s gear list (which he generously provides) is helpful, the real takeaway isn’t about the latest and greatest equipment. It’s about the mindset. He highlights the importance of assigning yourself small, achievable goals – a “mini-project” with a tangible outcome. This helps bypass the inertia that can paralyze even experienced creators.
His camera settings, while relatively simple (f/2.8 - f/3.5, ISO 640, 24fps, S-LOG 3), are a starting point. The key, he emphasizes, is to adapt them to the specific lighting conditions and desired look. Experimentation is encouraged! He even admits to second-guessing his decision to include camera shake, a reminder that there’s no single “right” way to approach a shot.
Lens Choice & Composition
Hermans recommends a focal length between 24mm and 35mm for a wide perspective. This aligns with the idea of capturing a broader sense of place and atmosphere. The use of a Black Pro Mist filter is optional, but it can add a subtle cinematic quality. More importantly, think about what *you* want to convey. A wider lens can emphasize the environment, while something tighter might draw focus to a specific detail.
Post-Production Considerations
Hermans utilizes DaVinci Resolve for editing and color grading, but the principles apply regardless of your preferred software. He emphasizes that the post-production process is about enhancing the feeling of the scene, not masking technical flaws.
Embrace the Limitations
The beauty of the cinematic video poem lies in its simplicity. It's a lesson in resourcefulness, a reminder that you don't need a massive budget or a team of specialists to create compelling visuals. It’s a challenge to distill your vision down to its essence – a single lens, a camera, and a story told through feeling. So, pick up your gear, find your subject, and start creating. The Rogue Lens Craft movement celebrates this spirit of ingenuity and dedication.
Resources & Further Learning:
- Joris Hermans' YouTube Channel: https://www.youtube.com/@jorishermans
- Joris Hermans' Website: https://www.jorishermans.com
- Rogue Schoolers Media Class: (Check Sovereign.ink for upcoming workshops)
- Mighty Lens Kit: (Explore available lens rentals)
Frequently Asked Questions
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