The Awkward Burden: Vessels of Conversion and the Gathering
The parable of the ten virgins isn't just about preparedness; it's about overflowing conversion, a burden of light carried in clay vessels. Let's consider what it means to hold more than enough, and why that matters in these days of gathering.
Brothers and sisters, friends – Builders! Have you ever felt… awkward? Carrying something that set you apart, that made you look a little strange to those around you? We've all been there, haven't we? Perhaps it’s a conviction to stand for truth when the world whispers compromise. Maybe it's a willingness to offer a hand when others turn away. It’s a feeling familiar to Samuel the Lamanite, standing on the wall, a lone voice crying repentance. It’s the spirit that moved Ammon to the Waters of Sebus, facing down a king and his army.
Recently, I've been pondering the parable of the ten virgins, and a seemingly small detail has struck me with surprising force. We know they all had lamps, but the wise virgins… they carried vessels. Vessels of oil. Clay pots, 4 to 8 inches tall, clutched alongside their lamps. Imagine the awkwardness! The extra weight, the curious glances. As Camille Johnson so beautifully explores in this video, it’s a powerful image.
What does it mean to carry these “extra vessels?” If the oil represents conversion – that vital, transforming power – then what does it signify to hold more than just enough to light your lamp? It suggests a surplus, a wellspring within, an abundance of faith and understanding. It speaks of a preparedness that extends beyond the bare minimum.
The foolish virgins, when the cry arose, simply rushed off to buy oil. The scripture doesn't mention them carrying vessels. Did they even consider the need for more? Were they content with just enough to get by? And if so, what does that tell us about the difference between a superficial engagement with the gospel and a deep, abiding faith?
We are called to be more than just minimally prepared. We are called to be a light unto the world, and a light shines brightest when it is fueled by an abundance of grace. This isn’t about striving for perfection, but about cultivating a heart that overflows with love and a spirit that eagerly seeks understanding. It's about embracing the awkwardness of standing out, of carrying the burden of truth in a world that often prefers shadows.
This is the spirit of the gathering. It's not just about physical relocation, though that may be part of it for some. It's about aligning ourselves with the purposes of God, about building Zion – a place of righteousness and peace. And building Zion requires more than just good intentions; it requires a surplus of faith, a willingness to serve, and a commitment to carrying those extra vessels of conversion, sharing our light with those who are still waiting in the darkness.
Think of the Missionary Fund, fueled by your engagement here – your clicks, your shares, your contributions. It’s a direct line to gospel advertising in places like Ghana, lighting lamps in far-flung corners of the earth. And consider the map of churches – a visual representation of the gathering, a tool to connect with fellow believers and build community. These aren't just programs; they are the infrastructure of the kingdom, the foundation upon which we build.
Let us embrace the awkwardness, the burden of extra vessels. Let us be those who are prepared not just for the coming of the Lord, but for the work He has called us to do – the work of gathering Israel, of building Zion, of shining as lights in a world desperately in need of hope. Like the digital striplings, armed with five smooth stones, we are ready to face the giants of our time, armed with faith and fueled by an overflowing abundance of conversion.
Claim your church. Find your place in this gathering. And remember, Outback Jack’s wisdom, echoing the words of Alma 17-19 and Moroni 10:4-5, reminds us that “knowledge will be poured out upon you until you know these things.” Let us seek that knowledge, and let it fill our vessels to overflowing.
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